Emma is a sound designer and media artist. His work is focused on creating environments through sound, and investigating the inherent sonic qualities of purposeful and incidental sound. He has performed internationally as 1/2 of the duo Coin Gutter, was nominated for a Jessie award for Outstanding Sound Design, a Japan New Media Festival Award, and a finalist for the 2008 Canary Island Media Arts Festival. His design can be heard in Film, Theatre, Video, Dance, New Media and his own installation work. He was VIVO’s Technical Coordinator from 2005-08 and has also worked with the New Forms Festival, Media Arts Committee, and Scotiabank Dance Centre.
Shauna Jean Doherty graduated from OCAD University with an MFA in Art Criticism and Curatorial Practice. She previously completed her Bachelor of Arts Degree (Hons), double majoring in Book and Media Studies and Semiotic Theory and Communications at the University of Toronto. With a foundation in semiotic theory and deconstruction, these themes recur in both her curatorial projects and video art practice. Shauna Jean curated exhibitions and events independently in Toronto beginning in 2009 in a variety of commercial and artist-run spaces which include, Vtape, Xpace Cultural Centre, OCADU Graduate Gallery, and The Art Gallery of Ontario. She has also written catalogue essay and exhibition reviews for Hamilton Artists Inc., the Journal of Curatorial Studies, Vandocument, and C Magazine.
Elisa is a media artist concerned with the intersections of archival practice and liminal space. In her work she combines audio- visual- and text- fragments to examine the aporias that exist between past experience and present depiction, memory and narrative. She has worked for the Venice Biennale, Interactive Futures and Emily Carr University Teaching and Learning Centre. Over the years she has contributed to several non-profit organizations and community projects including RAM Radio Arte Mobile and more recently the Vancouver Soundwalk Collective. Elisa holds a MA in Media Arts from Emily Carr University and a BA in Visual and Performing Arts from the University of Architecture of Venice.
Nikolai is an interdisciplinary artist and musician. He draws inspiration from the history of natural science and observations in the everyday. His work investigates the process of decision-making and uncertainty, problematizing the notion of a finished work of art. He has exhibited work across Canada, Norway and Australia and worked as a multimedia technician at NSCAD, Halifax, where he also taught courses in video production through the School of Extended Studies. Nikolai holds a MFA degree from Simon Fraser University and a BFA from Nova Scotia College of Art and Design.
Emily Smith is a textile artist, community organizer, maker, educator, and communication designer. She is co-founder of Vancouver Mini Maker Faire, founder of Vancouver Maker Foundation and contributing writer for MAKE Magazine. Her driving purpose is to connect and inspire a community of makers/artists to invigorate industry, art and education (especially education) in the city of Vancouver. In her spare time, she enjoys knitting, spinning, weaving, felting, swimming, bicycles, and playing the banjo and piano. Learn more about her and her work at emilyesmith.net
Karen previously worked at VIVO as Librarian, Distributor, and Programming Coordinator (1984-1999) and as an independent curator and critic. She has a special passion for artist-run centre archives and has been commissioned to create historical surveys and touring exhibitions for EM Media (Calgary) and ED Video (Guelph), and writings based on the Western Front and VIVO collections. Her essay “Abundant Harvest: The Recordings of Calgary Video Artists and Independents” was recently included in EM Media’s 30th anniversary publication “Expanded Standard Time”. Karen is a member of the Crista Dahl Media Library & Archive Committee.
Part-time and Casual Staff
Sebnem is an artist, visual designer, video editor, and camera operator. She has also been involved in VIVO’s digital archiving projects. She worked as a graphic artist in Turkey from 1996-2001 and earned her Digital Film Program Certificate at The Art Institute of Vancouver in 2002. Her media art has been exhibited internationally including screenings and installations featured in festivals and galleries in Canada, England, Portugal, France, Germany, Hungary and Turkey.
Brit Bachmann is an illustrator and installation artist with a BFA from UBC Okanagan. Her artwork seeks to embellish the mundane and simplify the profound, finding intimacy through new perspectives. She approaches community engagement with the same divergent spirit, hoping to inspire VIVO’s membership to interact with the space in new ways. Brit is also a writer and contributor to Vandocument and Creep Magazine, co-founder of Studio One11 zine collective, and a proud flâneuse.
Alex has been involved with VIVO for several years, in many capacities, including video restoration, installation, distribution, and various programming endeavours. He also programs experimental radio for Soundscapes on CFRO. He has a degree in film studies and comparative literature from the University of Alberta.
Miyra Olney / Bookkeeping
Sokhom Kouch / Facilities Maintenance
Board of Directors
The Board of Directors contributes, as a group and individually, to many aspects of VIVO. They involve themselves as stewards, on the many committees, on projects, with their expertise and connections in the community-at-large and throughout the institution. They are a dedicated group with VIVO’s continued operations: long-term planning, fundraising, support of programming, distribution, archives, and educational programs as the direction and focus of their involvement. VIVO thanks them all for their efforts, support and time.
Crista Dahl is a homemaker, beatnik, hippy, war protester, artist who came to Canada in the late 1960s with her four children. In the early 1970s she became part of the last years of Intermedia, an early Vancouver arts co-operative, gratefully finding that women artists were given support in ways uncommon in other countries at the time. She became an early partner in 1973 of the Satellite Video Exchange Society [S.V.E.S.], now VIVO. After several decades working as a performance artist as well as the Program Developer for the Vancouver Art Gallery’s ‘Art in Schools’, and in extensive childcare resources for street kids, she decided to involve herself with VIVO’s archives. She is currently working on a three part performance installation piece. During the last 12 years at VIVO, Crista has been a Board member, advocate and senior advisor concentrating now on the large depository archive collection of video and print.
Todd is a writer, artist and curator, and spearheads Wild Ideas & Art Projects Inc. He has 25 years of experience in management of non-profits and art galleries. Former administrative positions include Executive Director, Curator and Collection Management at several British Columbia cultural institutions. He formerly worked as Executive Director at Open Space Arts Society, Victoria; Interim Director and Curator at Simon Fraser University Art Gallery, Vancouver; and Director and Curator at the Burnaby Art Gallery, Burnaby. He studied at Ohio State University, Columbus College of Art & Design while working at the PACE Gallery, Columbus Ohio before travelling to Nova Scotia to finish his studies at the Nova Scotia College of Art & Design.
Cross-disciplinary in scope, Marina Roy’s art practice investigates the intersection between materials, language, history, and ideology. Her work addresses the desire for a post-humanist perspective, counter to the dictates of anthropocentric hubris and biopolitical control. Materials and objects themselves have multiple potential agency, and art can act as a bridge between culture and nature, ethics and drive. Roy has exhibited locally, nationally and internationally. In 2001 she published sign after the x (Artspeak/Arsenal Pulp), a book which revolves around the letter X and its multiple meanings. She is currently working on the next book titled Queuejumping. In 2010 she was recipient of the VIVA art award, British Columbia’s largest visual art award for mid-career artists. She is associate professor of visual art in the Department of Art History, Visual Art, and Theory, at the University of British Columbia.
Matilda Aslizadeh is a visual artist who works in a hybrid style between video, photography and animation and has a persisting interest in (re) thinking narrative structures. Her work has been exhibited internationally in galleries and film festivals, most recently at Art Souterrain (Montreal, 2013) and the Foreman Art Gallery (Sherbrooke, 2012). Matilda teaches courses in photography, critical theory and digital media at Emily Carr University of Art and Design and Kwantlen Polytechnic University.
Sam Scott has been involved at VIVO for over 10 years in various roles as an artist, volunteer & technician. Sam works as a consultant designing network, audio & video systems for clients in education, transportation & private sectors.
Mariane Bourcheix-Laporte is an interdisciplinary artist and independent curator. Her work is driven by an interest in notions of movement, embodiment and spatiality, and uses performance as basis for the realization of videos, installations and integrated projects. Recently, her work has been presented at Gallery 1313 (Toronto), Visualeyez Festival (Latitude 53, Edmonton), Le Labo (Toronto), FOFA Gallery (Montreal), and Low Lives 4 International Networked Performance Art Festival. Recent curatorial projects include Collective Walks/Spaces of Contestation presented through UNIT/PITT (Vancouver) and collaborative work with Palindromes, a Montreal-based curatorial collective she co-founded in 2010. Her writing has been published in Inter: art actuel, Decoy Magazine, Esse: art & opinions, and C Magazine. She currently works as Service and Outreach Development Coordinator for the Pacific Association of Artist Run Centres.
Gabriela Aceves is a visual artist currently based in Vancouver. Her work explores the body as a site of cultural and gender inscriptions. For over a decade she has combined her artistic practice with research, design and education. She received a Master Degree in Art History from the University of British Columbia in 2007, and Master Degree in Fine Arts from York University in 2001. She is currently finishing a PhD on 1970s Mexican feminist media artists at UBC. Gabriela’s work has been exhibited in Canada and internationally in Mexico and Chile. She has taught courses in Kwantlen Polytechnic University, the University of British Columbia and York University and has been a board member at CAFKA (Kitchener, Ontario), and ACCESS artist run center (Vancouver).
Interns and Regular Volunteers
Alisha Weng / Photography
Anchi Lin / Education Intern
Audrey MacDonald / Archive + Tape Cleaning
Camilla Vernet / Video Editing + Sound
Cody Biles / General Muscle + Poster Design
Corie Waugh / Events + Exhibitions Intern
Clare Asquith Finegan / Front Desk + Archive Intern
Cynthia Bronaugh / Archive
Elysia Bourne / Archive
Elwyn MacDonald / Archive Intern
Felix Oltean / Tech Intern
Francis Paris / Video Editing + Sound + General Muscle
Jonathan Nunes / Education Intern
JP Marquis / General Muscle + Awesomeness
Kevin Doherty / Documentation
Marlio Herrera Lira / Video Out Intern
Michael Paul Cutting / Archive Intern
Matthew MacLellan / Administrative Intern
Paul Paroczai / General Awesomeness
Stéphane Bernard / Archive
Tiina Liimu / Archive
Tomas Borsa / General Muscle + Awesomeness