Post-Patriarchy? New Acquisitions Screening
For Video Out’s latest call-for submissions, moving-image makers were invited to submit works that responded to the idea of a post-patriarchal present-future. It’s taken the work of many for so long to reach our current moment, and if we’ve learned anything, hopefully it’s that with deconstruction comes the need to rebuild.
Thursday June 13, 2019
Screening 7:30 PM
This event takes place on the Unceded Coast Salish Territories of the xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish) and Səl̓ílwətaʔ/Selilwitulh (Tsleil-Waututh) Nations.
The screening runs roughly 70 minutes, with an intermission and an opportunity for discussion at the end. Drinks and concession as well as complimentary popcorn will be on-hand.
Aí – Valentina Alvarado Matos (Spain), 2019
Esoteric (pt 1) – Stephanie Gagne (Canada) , 2019
Watching Us – Paige Smith (Canada), 2018
Konfessions of a Klabautermann – Hardeep Pandhal (UK), 2017
The Art of Fugue: A Polyphonic Instrumental Video Featuring Five Women Working in Trades (excerpt) – Emilie Crewe (Canada), 2019
Absolute Panic – Trevor McEachran (Canada), 2019
Rosalie – Kaija Pepper (Canada) , 1978
Object – Sydney Southam (Canada), 2017
Tulips are my father’s favorite flower – Nisha Platzer (Canada), 2018
Esoteric (pt 2) – Stephanie Gagne (Canada) , 2019 7
mom and her music – Rajee Paña Jeji Shergill (Canada), 2016
*Still from Aí, by Valentina Alvarados Matos
Our wheelchair ramp has two runs: the first is 20 feet long, and the second is 26 feet. The ramp is 5 feet wide with a 1:12 slope.
The ramp is concrete and has handrails on both sides, leading to a door that is 8 ft wide.
Our washroom has a 33” wide door, toilet has an 11” clearance on the leftside with handrail. Washrooms are gender inclusive.