Helena Krobath studies spatial narratives and sensory experience through research-creation. She received a Master’s in Media Arts from Concordia University in Montreal, where she was awarded funding by SSHRC, Hexagram, and the Mobile Media Lab to complete a thesis which combined sound studies, art-making, and historical research to examine socio-spatial relations in BC’s north Fraser Valley forest parks. She has taught several workshops on sound, sensory observation, and field recording, including Audio Story-crafting and Poetics for VIVO in 2017; assisting in VIVO’s 2018 mentorship, Still Creek Salmon Sounds; and leading VIVO's 2019 mentorship, Alt+Space+Control: Vancouver Housing Stories. Her sound art is featured in New Adventures in Sound Art’s 2019 compilation and she is currently one of CRES Media Arts Committee’s sound artists in residence. Helena has designed interactive sound and field recording workshops for the Milieux Institute and the Simone de Beauvoir Institute in Montreal; has led soundwalks with Vancouver New Music; and has taught audio production labs at Concordia University, covering production skills including recording, editing, processing and narrative techniques. She participated in a sound-mapping exchange between Montreal and Morecambe, programmed by the Centre for Mobilities Research at Lancaster University and has presented methodology and media work at conferences and symposia, including the Feminist Media Studio and the American Association of Geographers Annual Conference. She also worked with the organizing team for Media Democracy Days Vancouver for several years. She currently volunteers with the Vancouver Tenants Union and co-hosts the Soundscape Show on Vancouver Co-op Radio.
Alexandre Klinke is a Brazilian music composer, performer, and sound designer for film & TV, based in Vancouver, Canada. With background as a jazz and classical guitarist, his work as a composer reflects an eclectic style that ranges from orchestral to electronic, jazz and rock. As a solo artist, he is heavily inspired by the harmonies and intricate rhythms from Brazilian music. He is also an Instructor at the Digital Music Production Program at Langara College, in Vancouver.
Flick Harrison is a writer, media artist, filmmaker, hacker and drone pilot in Vancouver. “I’ve explored boundaries of all kinds in media, politics, education and the arts for over twenty years. As an artist, I explode the aesthetics of political conflict; as an educator, I try to make media flow organically from the social. My ambition is to lead, support and challenge non-profits, schools, community groups and other progressive actors to improve their understanding and use of media, all while having fun.
Victoria Gibson is an Integrated Media Artist who blends sound + light + motion to create amazing art experiences. Making magic from advanced techniques to spark curiosity. Involving audiences with interactive technology such as gesture control resulting in complex, experimental works that emerge from the nexus of art and technology, but remain accessible and fun. Gibson holds a BA in Music from the University of British Columbia.
|Alex de Boer||
Alex de Boer is a journalist and nonfiction storyteller based in Vancouver. Alex is the Podcast Coordinator at CiTR 101.9FM where she heads the station’s Spoken Word Department. She is a reporter and producer on CiTR’s weekly news show, Democracy Watch and the Vancouver current affairs podcast, At-Large (formerly Seeking Office). Alex holds a Bachelor of Arts in Political Science and History and a Master’s of Journalism from the University of British Columbia. She is the the 2017 winner of the Norman Lidster Prize in Documentary Filmmaking and received the award for “Best in News Programming” and an honourable mention for her audio documentary “Lhamo & the Princess,” at the 2018 NCRA Community Radio Awards.
Farshid Kazemi is a postdoc fellow at the School for Contemporary Arts, Simon Fraser University. His research interests combine an interdisciplinary and theoretical approach to Film and Media Studies/Film Theory, Iranian Studies, and Islamic and Middle Eastern Studies. He received his Ph.D. from the University of Edinburgh, with a thesis on Iranian Cinema and Psychoanalysis. He has published several articles and book chapters on Iranian cinema, psychoanalytic film theory/feminist film theory, and Iranian and Islamic studies more broadly.
Siying Duan is a postdoc fellow at School for the Contemporary Arts, Simon Fraser University. Her research interest focuses mainly on the study of media arts from a perspective of Chinese Aesthetics. She has earned her Ph.D. in Art Theory at Shanghai Film Academy, Shanghai University. She is also the producer of the podcast channel “Elephant says” at the platform Creative Disturbance and the editor of the bilingual journal Critical Theory. Her publications include several articles on Chinese Media Art research, comparative aesthetics, and art psychology.
John Mutter is a Vancouver-based artist, photographer, director, producer, VFX compositor, music composer and performer. He studied visual art at the University of British Columbia and The School of Visual Arts in New York city. He currently works as a senior visual effects compositor creating work for Disney, Marvel, and Netflix. He has directed music videos for Sub Pop, been nominated for multiple Leo Awards, and exhibited photo and video work internationally in critically acclaimed solo and group shows.
Joella Cabalu is a Filipino-Canadian documentary filmmaker based in Vancouver. It Runs in the Family (2015) was her first mid-length documentary as a producer and director, receiving Audience Choice Awards at the Seattle Asian Film Festival and Vancouver Queer Film Festival. Since then, she has developed a track record as a creative and collaborative producer working with emerging women directors on compelling short documentaries, including Biker Bob’s Posthumous Adventure (Lunenburg 2019), Do I Have Boobs Now? (Slamdance 2017), and FIXED! (DOXA 2017). Her most recent producer credit is the Telus supported short documentary On Falling which celebrated its World Premiere and a Best Short Documentary nomination at Tribeca 2020. Currently, she is producing her first feature documentary Back Home with support from the Telefilm Talent to Watch fund and leading the curated photography project First Photo Here with the National Film Board Digital Studio.
Alex Beim is an artist, speaker, creative director, and founder of Tangible Interaction, an experiential design studio whose interactive installations have been enjoyed by millions around the world. Known for his Zygotes, giant helium-filled balls that respond to touch; his Digital Graffiti Wall; and other interactive installations, his seamless use of technology in the service of art constructs immersive, sensory experiences that tap into some of the most basic human instincts, cultivating a sense of wonderment and eliciting playful exploration.
Beim’s work has been used extensively in music festivals around the world and by bands such as Arcade Fire, Coldplay, Purity Ring, Green Day, and the Chemical Brothers. His Zygotes continue to be an integral part of shows by international performance artists Blue Man Group.
Beim and his team designed and built sixteen interactive installations for the 2010 Vancouver Olympics, and featured his Zygote balls in the closing ceremonies. His Digital Graffiti Wall wowed celebs at the grand opening of the Chanel store in NYC and several large brands, including Virgin, MTV, and Lexus license Tangible’s products.
He has been featured extensively in the press, including in The New York Times, Huffington Post, Make and IDN Magazine. Alex is an engaging, passionate speaker, and has presented at Pechakucha, Creative Mornings, International Conference on Design Principles and Practices, Maker Faire (San Francisco), Touchpoint 2014, and FITC (Vancouver & Halifax), Imagine Creative (Ireland), the University of Linz (Austria), NMM2011 (Sweden), INST-INT (Minnesota), IAM (Barcelona) and Cutout Fest (Mexico).