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LOCATION: Ironworks, 235 Alexander St. (map)
VIVO is located in the homelands of the xʷməθkʷəy̓əm (Musqueam) Sḵwx̱wú7mesh (Squamish), and səl̓ílwətaɬ (Tsleil-Waututh) peoples in a warehouse space at 2625 Kaslo Street south of East Broadway at the end of E 10th. Transit line 9 stops at Kaslo Street on Broadway. From the bus stop, the path is paved, curbless, and on a slight decline. The closest skytrain station is Renfrew Station, which is three blocks south-east of VIVO and has an elevator. From there, the path is paved, curbless, and on a slight incline. There is parking available at VIVO, including wheelchair access parking. There is a bike rack at the entrance. The front entrance leads indoors to a set of 7 stairs to the lobby.
A wheelchair ramp is located at the west side of the main entrance. The ramp has two runs: the first run is 20 feet long, and the second run is 26 feet. The ramp is 60 inches wide. The slope is 1:12. The ramp itself is concrete and has handrails on both sides. There is an outward swinging door (34 inch width) at the top of the ramp leading to a vestibule. A second outward swinging door (33 inch width) opens into the exhibition space. Buzzers and intercoms are located at both doors to notify staff during regular office hours or events to unlock the doors. Once unlocked, visitors can use automatic operators to open the doors.
There are two all-gender washrooms. One has a stall and is not wheelchair accessible. The other is a single room with a urinal and is wheelchair accessible: the door is 33 inches wide and inward swinging, without automation. The toilet has 11 inch clearance on the left side and a handrail.
To reach the bathrooms from the studio, exit through the double doors and proceed straight through the lobby and down the hall . Turn left, and the two bathrooms will be on your right side. The closest one has a stall and is not wheelchair accessible. The far bathroom is accessible.
JP Carter is a Juno award-winning trumpet player and composer from Vancouver, BC, with over 28 years of playing experience. Carter’s singular approach to the trumpet and versatility as an improvisor and composer make him a vital contributor to the Vancouver music community. JP incorporates a variety of techniques into his trumpet playing, utilizing and experimenting with acoustic (traditional, extended) and electronic (effected, amplified) methods to create a wide spectrum of sound. Currently a member of several Vancouver-based groups, including Destroyer, Dan Mangan + Blacksmith, Fond of Tigers, Tony Wilson 6tet, Mary Margaret O’Hara & Peggy Lee’s Beautiful Tool, Gordon Grdina’s Haram, Michael Blake’s Variety Hour, and Orkestra Futura (NOW Orchestra), JP’s main projects as a composer/performer continue to be Inhabitants, Aeroplane Trio, and Carsick. These three long-standing original projects have all released albums on Vancouver’s Drip Audio label [dripaudio.com].
Lisa Cay Miller compositions have been premiered by de Bijloke ensemble (Ghent, Belgium) the Tetzepi Bigtet (Amsterdam), mmm… (Tokyo), the Quatuor Bozzini (for the National Film Board of Canada with director Marv Newland, Montreal), Vancouver New Music, Standing Wave, Turning Point Ensemble, The Vancouver Chinese Instrumental Music Society (Vancouver), and the Berkeley Symphony Orchestra,The Left Coast Ensemble and Earplay (San Francisco). Miller has directed workshops (for the Now Orchestra and the Vancouver International Jazz Festival) and produced concerts and multi media installations (Vancouver New Music, Costal Jazz and Blues Society, Circus Maximus, Western Front Society). New commissions will be premiered in 2013 by Pianorquestra (Brazil), Rachel Kiyo Iwaasa (piano) and François Houle and Jane Hayes (clarinet and piano, Vancouver).
Magneticring is the solo work of Joshua Stevenson using vintage synthesizer’s and analogue equipment. Influences range from Javanese Gamelan, to obscure psychedelic music, early new age, and early electronic music. Stevenson is a member of psychedelic/kosmicher act Von Bingen, a former member of Staked Plains and Jackie O Motherfucker, and has featured in projects with Sam Shalabi, Pink Mountaintops, and Kemialliset Ystävät, among others.
Joe Williamson was born in 1970 in Canada. He has played and continues to play in many different musical settings. Besides his work as an improvising bassist, he also writes songs and sings them. He moved to Europe in 1992 and has lived in Amsterdam, Berlin and London. He now lives in Stockholm. Current projects include The Inconvenience, Trapist, Tobias Delius Quartet, Weird Weapons, King of Herrings among others. Past and present collaborators include Steve Beresford, Tony Buck, Han Bennink, Peggy Lee, Eddie Prevost, Dylan van der Schyff, Christine Sehnaoui, Eugene Chadbourne, and Okkyung Lee among many others.
John Brennan is a sound artist and drummer living and practicing on the unceded territories of the Musqueam, Squamish and Tsleil-Waututh First Nations. Parallel to his practice as a musician, he produces sound installations that consider the relationship between the sonic memory of musical instruments, performance and improvisation. His band Kamikaze Nurse is currently recording their second full-length album, Stimuloso (2021)Mint Records. Other recent sound projects include: MO-DALE (a duo with Justin Patterson) and Last Lost Time with Gabi Dao and Elisa Ferrari. He curated Destroy Vancouver (2012-2016), a quarterly improvised music and sound art series produced by VIVO Media Arts Centre. He has presented work through Vancouver New Music, Vancouver Coastal Jazz, Western Front (Vancouver), Nanaimo Art Gallery, BEK (Bergen), Landmark (Bergen), No IDea Festival (Austin), Suoni per il Popolo (Montreal) and MUTEK (Montreal).
Other collaborators include Chris Corsano, Raven Chacon, John Dieterich, Katerina Ernst, Jacob Audrey Taves, William Hooker, DJ Olive, Greg Saunier, Marshall Trammell, Nate Wooley, and many more.
