CANCELLED
ONLINE

Colour Correction

Curated by 
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Saturday, April 18, 2020
 to 
to
Sunday, April 26, 2020
1pm
 - 
4pm

In response to COVID-19, this workshop will take place over video conferencing (i.e., not in-person at VIVO). To join the online meeting, participants will be sent an invitation the morning of the first session. To ensure the fullest features during the video conference, Google Chrome is strongly recommended.

Push the emotional tone of your moving images or match footage shot on different cameras, in this workshop led by colourist Devan Scott.

Sign up: https://colourcorrection.eventbrite.ca

12 hours total over 4 sessions online // $133, or $95 with any VIVO Producer Membership (+GST)

Prerequisites:

  • It is also strongly suggested that participants use Google Chrome for the video conferencing call, available here: https://www.google.ca/chrome.
  • Participants will be supplied the footage with which to work with beforehand, but are encouraged to bring their own footage as well.

This online workshop introduces you to the free colour correction software, Davinci Resolve, a powerful tool which compliments the Black Cinema Cameras available for rent at VIVO. Learn how to use Resolve through practical demonstrations and hands-on exercises.

Topics covered:

  • Workflow, including efficient file management, importing footage from other editing programs to DaVinci Resolve, and conforming timelines
  • Colour theory & IRE levels
  • Primary & secondary correction, including contrast, HSL keys, and power windows
  • Curve Editor
  • Motion tracking
  • RAW imaging theory & processing
  • How to read waveforms and scopes
  • Grading VS correction
  • Sizing
  • Matching footage of various quality, shot on multiple cameras
  • Styles - how to give your footage various “looks”

This workshop is structured to give participants a week between sessions, in order to practice on their own and come up with questions.

Venue Accessibility

VIVO is located in the homelands of the xʷməθkʷəy̓əm (Musqueam) Sḵwx̱wú7mesh (Squamish), and səl̓ílwətaɬ (Tsleil-Waututh) peoples in a warehouse space at 2625 Kaslo Street south of East Broadway at the end of E 10th. Transit line 9 stops at Kaslo Street on Broadway. From the bus stop, the path is paved, curbless, and on a slight decline. The closest skytrain station is Renfrew Station, which is three blocks south-east of VIVO and has an elevator. From there, the path is paved, curbless, and on a slight incline. There is parking available at VIVO, including wheelchair access parking. There is a bike rack at the entrance. The front entrance leads indoors to a set of 7 stairs to the lobby.

Wheelchair/Walker Access

A wheelchair ramp is located at the west side of the main entrance. The ramp has two runs: the first run is 20 feet long, and the second run is 26 feet. The ramp is 60 inches wide. The slope is 1:12. The ramp itself is concrete and has handrails on both sides. There is an outward swinging door (34 inch width) at the top of the ramp leading to a vestibule. A second outward swinging door (33 inch width) opens into the exhibition space. Buzzers and intercoms are located at both doors to notify staff during regular office hours or events to unlock the doors. Once unlocked, visitors can use automatic operators to open the doors.

Washrooms

There are two all-gender washrooms. One has a stall and is not wheelchair accessible. The other is a single room with a urinal and is wheelchair accessible: the door is 33 inches wide and inward swinging, without automation. The toilet has 11 inch clearance on the left side and a handrail.

To reach the bathrooms from the studio, exit through the double doors and proceed straight through the lobby and down the hall . Turn left, and the two bathrooms will be on your right side. The closest one has a stall and is not wheelchair accessible. The far bathroom is accessible.

About the 
Instructor
Mentor
Artist
(s):

Devan Scott’s passion for visual storytelling has led to a portfolio of work as a director, cinematographer, and colourist that has been growing ever since.

Website
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About the 
Curator(s):
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