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Experimental Editing

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Thursday, September 5, 2019
 to 
to
Thursday, September 19, 2019
6pm
 - 
9:30pm

Inspiring techniques to stoke your editing process, with editor Will Ross.

https://experimentalediting.eventbrite.ca

Session 1: Thu, Sep 5, 2019 6pm—930pm
Session 2: Thu, Sep 12 6pm—930pm
Session 3: Thu, Sep 19, 2019 6pm—930pm

Creative editing allows you to form stunning work with the barest of resources!

This workshop is designed for those who already have a general understanding of how to use Adobe Premiere, but would like to use it in more diverse creative ways.

This hands-on workshop will enable you to be more spontaneous in the editing room, generating experiments by implementing colour palette, saturation, imageblending, contrast, rhythm, rapid cutting, graphic montage in novel and expressive ways.

You’ll be introduced to several examples of experimental editing and engage in group discussion about their effects and meanings.

After quickly conceptualizing and recording your own scene, you’ll cut your footage to test out various proposed theories and workflows, as well as your own editing ideas and improvisations.

By the end of this 3-day workshop, you’ll have shot and edited a short original work that demonstrates your editing experiments. Everyone’s scene will be shown in class for group discussion and reflection.

Prerequisite: Basic experience with Adobe Premiere or other non-linear editing system.

One Extended Subsidy available for this workshop:

https://forms.gle/y4LNmik3aC7BMT9dA

Venue Accessibility

VIVO is located in the homelands of the xʷməθkʷəy̓əm (Musqueam) Sḵwx̱wú7mesh (Squamish), and səl̓ílwətaɬ (Tsleil-Waututh) peoples in a warehouse space at 2625 Kaslo Street south of East Broadway at the end of E 10th. Transit line 9 stops at Kaslo Street on Broadway. From the bus stop, the path is paved, curbless, and on a slight decline. The closest skytrain station is Renfrew Station, which is three blocks south-east of VIVO and has an elevator. From there, the path is paved, curbless, and on a slight incline. There is parking available at VIVO, including wheelchair access parking. There is a bike rack at the entrance. The front entrance leads indoors to a set of 7 stairs to the lobby.

Wheelchair/Walker Access

A wheelchair ramp is located at the west side of the main entrance. The ramp has two runs: the first run is 20 feet long, and the second run is 26 feet. The ramp is 60 inches wide. The slope is 1:12. The ramp itself is concrete and has handrails on both sides. There is an outward swinging door (34 inch width) at the top of the ramp leading to a vestibule. A second outward swinging door (33 inch width) opens into the exhibition space. Buzzers and intercoms are located at both doors to notify staff during regular office hours or events to unlock the doors. Once unlocked, visitors can use automatic operators to open the doors.

Washrooms

There are two all-gender washrooms. One has a stall and is not wheelchair accessible. The other is a single room with a urinal and is wheelchair accessible: the door is 33 inches wide and inward swinging, without automation. The toilet has 11 inch clearance on the left side and a handrail.

To reach the bathrooms from the studio, exit through the double doors and proceed straight through the lobby and down the hall . Turn left, and the two bathrooms will be on your right side. The closest one has a stall and is not wheelchair accessible. The far bathroom is accessible.

About the 
Instructor
Mentor
Artist
(s):

Will Ross has been working in film and video since co-founding Sad Hill Media in 2009. His films have shown at the Vancouver International Film Festival, as well as TIFF, Moonrise, and Cinema Spectacular. Whether for his own projects or someone else’s, his work behind the camera and the keyboard is always focused on finding fresh, gripping new approaches to filmmaking. As well as on-set direction, Will participates in the screenwriting, shotlisting, editing, and sound design stages of the process. His collaborations are marked by responsive communication and craftsmanship that are tailored to the sensibilities of his clients and teams. In addition, he maintains a blog of critical work, and his reviews and video essays have been published by outlets such as Tiny Mix Tapes and MUBI Notebook.

Website
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About the 
Curator(s):
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