AIR: Urban Subjects 602,000: Works On Housing

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Friday, February 25, 2011
Sunday, April 17, 2011

Opening Date
Fri, Feb 25, 2011 7pm

Fri, Feb 25, 2011

Fri, Mar 18, 2011

Sun, Apr 17, 2011

In 1969 an exhibition of conceptual works, curated by Lucy Lippard for the Vancouver Art Gallery, took the population of Greater Vancouver, then 955,000, as its title. Forty-one years later, Urban Subjects’ exhibition, 602,000refers to the median house price in Greater Vancouver in 2010. Just as Lippard’s title tallied something abstractly human in the representation of the city, 602,000 reflects the very human relations of housing, the transformation of public space, and artistic practices.The video works in 602,000 formally represent housing and domestic space as integral to public space. Moving from the scale of the body to transnational spaces of movement, these videos carefully build an aesthetic argument that housing is central to the right to the city. These works—located in Vienna and Bratislava, Madrid, Caracas, and the Netherlands— show housing and dwelling are spatial and public acts. A new video work from the neighbourhood of Gramoven in Caracas compellingly illustrates how the urban community councils have established autogestion (or self-management) in all spheres of daily life.

While residing at VIVO Urban Subjects are collaborating with the 2011 Olympic Tent Village Coalition to mount a video installation in the front windows. The installation is situated in conversation with a photo-mural of Recidencias Mirador, a social housing project in Madrid, realized by the Dutch architects MVRDV. They will also produce a poster for the Fight for the 10 Sites 2011campaign, in partnership with the Downtown Eastside Neighborhood Council.

FRIDAY FEB 25 / 7–10 PM
Opening// Bitter/Weber video works: Z_orb (1998/2000), Splitting & Stacking (2000), Border≠0 (1998), Framing Location (1997).

FRIDAY MARCH 18 / Opening 7-10pm, Screening 8pm, Discussion 8:30pm
Opening// Exhibition of new works, produced in residence, “But life is not changed magically by a poetic act”and screening of Living Mega-Structures (2003/2004). Urban Subjects Ivan Drury and Amy Kazymerchyk will hold a discussion on ideas of neigbourhood and urban self-management, and about what art can say about our urban lives.

But life is not changed magically by a poetic act is a video installation that builds a narrative about autogestion (or self-management) in a community in Caracas, Venezuela. Using wall projections and an installation of monitors, “But life is not changed magically by a poetic act” sets documentary interviews, architectural and urban establishing shots, and textual elements in dialogue. Using long takes of an expropriated Coca Cola bottling plant, a small community-run brick making factory, and vernacular architecture in the barrio Gramoven, and setting these in dialogue with interviews of members of community councils in Caracas who are actively altering forms of community organizing and urban governmentality, Urban Subjects have created an installation that pursues an argument spatially, didactically, and poetically. Taking its title from a sentence written by Henri Lefebvre in the revolutionary heat of May 1968, this installation also tries to grasp a sense of the deeply affective alliances that autogestion builds in the texture of everyday urban life: how can a hybrid form of documentary and aesthetic video installation represent the textures and possibilities of urban life? Cutting across the naturalized form of documentaries “But life is not changed magically by a poetic act” opens the manner in which the community activists in Caracas take apart North American media frames of Venezuela and its social programs. What emerges is a complex moment of performance, global-local media analysis, critical reframing, and importantly, a view of housing and community that is based on a form of dual power.

Opening// Geographer Neil Smith (NYC) speaks on the Revolutionary Imperative in conjunction with SFU’s La Commune 1871/ 2011 series. Launch of the Fight for 10 Sites 2011 Campaign Poster, created in collaboration with the Downtown Eastside Neighborhood Council. Book launch of Momentarily: Learning from Mega-Events, edited by Bik Van der Pol, Alissa Firth-Eagland and Urban Subjects and published by the Western Front.

VIVO Media Arts gratefully acknowledges Franz Van de Ven, Simon Fraser University School for Contemporary Art, the LMPC, Mark Curry and Emilio Rojas for their support of this exhibition. VIVO and Urban Subjects sincerely thanks the 2011 Olympic Tent Village Coalition, the Downtown Eastside Neighborhood Council, the Western Front, Neil Smith and Ivan Drury for their collaboration on 602,000 WORKS ON HOUSING and related events.

image: Urban Subjects, Recidencias Mirador (Madrid Spain)

Venue Accessibility

VIVO is located in the homelands of the xʷməθkʷəy̓əm (Musqueam) Sḵwx̱wú7mesh (Squamish), and səl̓ílwətaɬ (Tsleil-Waututh) peoples in a warehouse space at 2625 Kaslo Street south of East Broadway at the end of E 10th. Transit line 9 stops at Kaslo Street on Broadway. From the bus stop, the path is paved, curbless, and on a slight decline. The closest skytrain station is Renfrew Station, which is three blocks south-east of VIVO and has an elevator. From there, the path is paved, curbless, and on a slight incline. There is parking available at VIVO, including wheelchair access parking. There is a bike rack at the entrance. The front entrance leads indoors to a set of 7 stairs to the lobby.

Wheelchair/Walker Access

A wheelchair ramp is located at the west side of the main entrance. The ramp has two runs: the first run is 20 feet long, and the second run is 26 feet. The ramp is 60 inches wide. The slope is 1:12. The ramp itself is concrete and has handrails on both sides. There is an outward swinging door (34 inch width) at the top of the ramp leading to a vestibule. A second outward swinging door (33 inch width) opens into the exhibition space. Buzzers and intercoms are located at both doors to notify staff during regular office hours or events to unlock the doors. Once unlocked, visitors can use automatic operators to open the doors.


There are two all-gender washrooms. One has a stall and is not wheelchair accessible. The other is a single room with a urinal and is wheelchair accessible: the door is 33 inches wide and inward swinging, without automation. The toilet has 11 inch clearance on the left side and a handrail.

To reach the bathrooms from the studio, exit through the double doors and proceed straight through the lobby and down the hall . Turn left, and the two bathrooms will be on your right side. The closest one has a stall and is not wheelchair accessible. The far bathroom is accessible.

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