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Anti-Racist Mathematics and Other Stories

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Wednesday, October 24, 2018
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Wednesday, October 24, 2018
7pm
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10pm

Production still, Episode 2, 2018, courtesy of the artist.

SCREENING — Byron Peters: Anti-Racist Mathematics and Other Stories

Wednesday, October 24, 2018

The Cinematheque

200 – 1131 Howe Street

7:00PM

ARTIST IN ATTENDANCE! In her speech to the (UK) Conservative Party Conference in 1987, Margaret Thatcher claimed that British children were being taught anti-racist mathematics as part of a new curriculum delivered by “extremist teachers.” In Anti-Racist Mathematics and Other Stories, a series of three speculative educational videos, Vancouver artist Byron Peters attempts to figure this anti-bias pedagogy within the lexicon of our contemporary mediascape. Each episode, visually distinct in its playful didacticism and in the composition of its unreliable narrator, is a thought experiment that oscillates between satirical dramatizations and sincere propositions for a world wherein the equation 10 − 3 = 13 expresses an ideology of sharing, collectivity, and mutuality.

Anti-Racist Mathematics and Other Stories is a series commissioned by VIVO Media Arts Centre that initiated with the exhibition Byron Peters — Before and After the Sixth Radar Conference (VIVO, 2017).

Episode 1 | Byron Peters/Canada 2017. 22 min. DCP
Episode 2 | Byron Peters/Canada 2018. 30 min. DCP
Episode 3 | Byron Peters/Canada 2018. 30 min. DCP

Post-screening Q&A moderated by Stacey Ho, an artist, writer, and curator living on the unceded Coast Salish territories of the xʷməθkʷəy̓əm (Musqueam), Sḵwx̱wú7mesh (Squamish), and səl̓ílwətaʔɬ (Tsleil-Waututh) peoples. Their practice considers intersections of culture, history, and embodied experience from a feminist perspective. Informed by a background in photography and performance art, they often incorporate language, sound, and gesture into their work. They also spend a lot of time thinking about math, plant medicine, and perfume.

Byron Peters is an artist and writer based in Vancouver, unceded Coast Salish Territories. His collaborative and solo works take the form of sculpture, text, sound, and video, and his research engages emerging technologies, economic imaginaries, prison education, and the histories of science.

Co-presented with DIM Cinema

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Stacey Ho lives on the unceded territories of the xʷməθkʷəy̓əm (Musqueam), Sḵwx̱wú7mesh (Squamish), and səl̓ílwətaʔɬ (Tsleil-Waututh) peoples. Their practice considers intersections of culture, history, and embodiment from a feminist perspective while incorporating language, sound, and gesture. Their work has been presented at Art Metropole, Justina M. Barnicke Gallery (Toronto), Galerie oqbo (Berlin), Artcite (Windsor), RAM Galleri (Oslo), Or Gallery and the Vancouver Art Gallery. They organize Slow Wave Small Projects, a one-week Gulf Island retreat that re-imagines approaches to learning and art-making from feminist, activist, and land-based perspectives.

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Byron Peters is an artist and writer of Chinese-Canadian and European descent. His practice critically engages labour and materiality in the context of emerging technologies, economic imaginaries, prison education, and the effects of gentrification and displacement. Peters’ solo and collaborative works have been exhibited at The Darling Foundry, Montreal; Para Site, Hong Kong; ICA Miami; The White Building, London; The Elizabeth Foundation for the Arts, New York; The Asian Art Museum of San Francisco, and others. His writings have appeared in Continent, SFMOMA Open Space, Cesura//Accesso, and Fillip.

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